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belly love

Romy Yedidia, Belly Love, 2016, concrete, thread steel rods, harware nuts, 20 x 37 x 47, s

Belly Love, 2016, concrete, thread steel rods, hardware nuts, 20x47x37 cm. Photo: Arno Nollen

I am a circle that is trapped inside a square. From within I am a living, breathing individual, but was taught to place myself inside a concrete square corset that will hopefully keep me in control. To preserve the body is to answer social expectations. The corset carries the literal weight of a concrete block. It is equally painful and arousing to be in such state. How perverse is the wish to belong! How easy it is to be defined by the other, and so painfully lonely to make a stand for yourself. To carry this social corset is to acknowledge what I have become.

The sculpture and video Belly Love embodies the dynamics of body control within Western society and its internalization. The video portrays the artist’s body in a concrete corset—uneased—standing static while holding a heavy block that slowly applies damaging pressure and weight upon her body. Yedidia "wears" the corset until she reaches a breaking point where she must choose between her own safety and the constructs she is carrying. The work explores and challenges the thin line between self-acceptance and self-hatred.

Belly Love, 2016, concrete, thread steel rods, hardware nuts /video, 20x47x37 cm / 9 minutes.

Installation views : Fool Me Once, Shame on You. Fool Me Twice, Shame on Me., U10 Art Space, Belgrade, Serbia, 2019.

Photography credits — photo 1 and 6 (film still): Arno Nollen, photo 2 –5 :Nemanja Knežević

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